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Ten Years After

110,00625,00

Ten Years After is a British blues rock band from Nottingham, UK.

One of the most interesting anecdotes about the band goes back to their performance at the Woodstock Festival in 1969. The band was scheduled to play late at night, around 2am. However, their performance was delayed due to technical problems with the stage equipment, and they finally started to play at 5 am, to a tired and exhausted audience. However, the band managed to captivate the crowd with their energy and musical virtuosity, playing songs like “I’m Going Home” and “Good Morning Little Schoolgirl” with incredible passion and intensity. Ten Years After’s performance has since become legendary in the history of Woodstock and rock music in general, and is often cited as one of the highlights of the festival.

The anecdote shows the band’s ability to overcome obstacles and deliver a memorable performance, even under difficult conditions. It also reinforced Ten Years After’s reputation as one of the most passionate and talented rock bands of their time.

Here is Alvin Lee in action with his Gibson guitar at Forest National on 25 March 1972. Opening for a talented but still little known band: Supertramp.

SKU: N/A Category: Tags: , , , Product ID: 25414

Description

B&W picture – available in 3 sizes, with or without american frame

40 x 60 and 50 x 75 (unframed or framed) photos are printed in piezography process* 

For any other size or finish, please contact us on the ‘Contact’ page

*A print sublimated by piezography inks will allow you to rediscover the magic of a nuanced print, revealing blacks and whites worthy of silver techniques, transposed into digital.
Longevity of carbon pigment inks
Tests carried out in the USA, in the Wilhem research center, guarantee a longevity of 150 years if these inks are associated with acid-free papers, with the Hahnemühle or Canson paper ranges we work with.
On a more technical aspect, the carbon inks are encapsulated: it is coal dust mixed with a binder which allows to deposit it on the paper. No difference in density between the printer output and after drying. There is a slight evaporation of the binder which stabilizes the pigment on the coating. It remains then the coal dust, which will give the density and nuance of the black and white impression.
The inks are made from pure monochromatic pigments chosen for their resistance to light, available in seven progressive shades, from light gray to black. They are specially designed to reflect light back to the viewer’s eye and completely eliminate color anomalies such as metamerism (which changes color depending on the light source). The Piezography System, monochrome inks, provides a unique photographic look that includes depth and brilliance throughout the image surface.
The formula allows for a longevity that reaches record levels when printing on archival and fine art papers. The print quality is at least equal to the best silver baryta print, if not better.

Additional information

Vertical

small (30 x 45cm), medium (40 x 60cm), large (50 x 75 cm), framed (50 x 75cm)

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